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, by Patricia Highsmith Claire Morgan
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Product details
File Size: 713 KB
Print Length: 296 pages
Publisher: She Winked Press (March 1, 2011)
Publication Date: March 1, 2011
Language: English
ASIN: B004RCNW4I
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Amazon Best Sellers Rank:
#30,105 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
As usual, I feel beneath those who classified this as classic. Once again I feel classic means no spirit, no passion, just a bunch of words to help the reader feel the pain of the author, or characters. Ok, I didn't finish but I felt 50% of the book was more than enough time for me to care about something.First, I don't believe in the main character who calls herself a New Yorker yet says very little. Not in my experience. And she says she's in love with the other woman but has never asked that woman anything. She knows nothing about the OBJECT of her love.Second, I don't love the other woman, nor respect her. She give nothing of herself.And third, What is up with the caveman? Why does the silent NYer spend any time with this brute?Salt is rubbed into the readers eyes as they try to read this and feel any identification with the author.Sorry. There are billions of good books out there. I will go read one of them.
This edition by Norton republishing Patricia Highsmith's second novel, The Price of Salt, or Carol as later titled by the author, is worth its higher price than the other Kindle editions available that are fraught with typos and amateurish typesetting. I imagine most who are checking out reviews here have either already seen the movie Carol (based on the book) or plan to see the movie yet wish to read the book first. I had already read an earlier edition of The Price of Salt prior to seeing the movie recently. I'm glad I've invested in this Norton edition as it includes interesting and informative commentary from Highsmith shedding light into the backstory of her writing the novel mid-20th century in the first place.For me, reading the book and experiencing the movie are a complete package. Like two persons who belong together, words well written and images well framed can be better appreciated than partaking of one without the other.In terms of the novel, Highsmith's prose does a wonderful job of developing its characters, particularly the character Therese who is the story's protagonist. The novel is clearly written from Therese's point of view. It is a coming-of-age story about Therese and her experiences that lead her to falling in love with an older woman, Carol, who is in the midst of getting a divorce. Carol is torn between her love for her daughter, named Rindy, and her attraction and growing romantic love for Therese that puts Carol's relationship with her young daughter at risk. It is a dark story at times fraught with immense tensions and conflicts acutely felt but forcibly suppressed by certain characters as it takes place within the early 1950s. Such is a a time when same-sex attraction was considered both pathological and criminal if acted upon, and the novel's dialogue and narrative must be seen within this repressed societal context of the day. The novel is quite revolutionary for its time, carrying a somewhat ambiguous though positive ending for the two women in love rather than the typical tragic one, and the story continues to be relevant even today. The movie, as brilliantly directed and supurbly acted by all of its cast, and with its own rich historically accurate reproduction and visualization, has a few changes to the original plot that for me, work. I would say if you read the novel before seeing the movie, you will experience the movie more as an insider who recognizes these changes as something complimentary to Highsmith's story. By watching the movie, you can appreciate having greater insight into Carol's part within the story.All said, the novel Carol is a worthy read for anyone who wants to read a complex yet ultimately uplifting love story that happens to be between two women who do not fit into the stereotypes for lesbian relationships of any period.
If you're like me, you know Patricia Highsmith from her Ripley crime novels. But Highsmith, writing under a pseudonym, also wrote this groundbreaking 1950s study of one woman’s sexual awakening. The release of the Hollywood adaptation, under the title “Carol,†has brought this often overlooked novel the attention it deserves. Even 60 years after its initial publication, “The Price of Salt†remains as relevant, powerful and compulsively readable as ever.The story centers around Therese, a 19-year-old aspiring set designer who suffers from a severe disconnect with the world around her and from her own identity. On the surface, she seems happy: She has a devoted boyfriend, Richard, and just got a temporary job at a department store to make some extra cash. But something’s missing from Therese’s life – something she herself can’t exactly define. (There’s a nice bit about the various ways to pronounce Therese’s name that sums up her confusion: “She was used to a dozen variations, and sometimes she herself pronounced it differently.â€)Enter Carol, a mid-30-something upper-class housewife and mother who comes across as glamorous, beautifully unattainable, and moody. After they meet in the department store where Therese works, the two feel a “sudden release, that leap of response in both of them, as if their bodies were of some material which put together inevitably created desire.â€As the first part of “The Price of Salt†traces Therese and Carol’s “will they or won’t they?†relationship and the second sends them on the lam, so to speak, on a cross-country road-trip, Highsmith’s background in crime fiction serves her well. It’s hard to tell if this is a love story or a thriller, there’s that much suspense. A shady detective, a conflicted boyfriend, and a mysterious friend from Carol's past all add to the tension.Like the best of Highsmith's novels, "The Price of Salt" doesn't shy away from the more problematic aspects of its own story. For instance, the age difference between the main characters is mentioned a number of times. (Imagine if this novel were about a heterosexual relationship between a man in his mid-30s and a 19-year-old girl.) The novel also explores Highsmith’s preoccupation with identity and, in this case, love's apparent contradiction: even as Therese finds her true self, she loses her identity in Carol's or, as Therese reflects, "she felt like an actor, remembered only now and then her identity with a sense of surprise, as if she had been playing in these last few days the part of someone else, someone fabulously and excessively lucky" in love.In the end, this shouldn't be categorized as a lesbian love story. It's a beautifully realized and meditative novel of one young woman finding the courage to "plunge headlong" into life and love. That's something anyone can relate to.
It was beautiful... every touch, every conversation was magic. Really makes you fall in love with them both, they both want it so much and gosh.
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