Ebook Free The Silent Corner: A Novel of Suspense

Ebook Free The Silent Corner: A Novel of Suspense

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The Silent Corner: A Novel of Suspense

Ebook Free The Silent Corner: A Novel of Suspense

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Once upon a time, I read every Dean Koontz book I could get my hands on. I even went to the library and got the books under his pen name (Leigh Nichols).But somewhere along the way, the books changed. They got…mystical. And I kind of lost interest. I’ve ventured back and have found that I liked the last couple of books.This one, I loved. My Dean Koontz love is back!Jane Hawk is the bad ass of bad asses. She is so awesomely tough and passionate and everything you wish you could be. The action is spot on. The crime in question – extremely devious. If it weren’t for work, this would have been a one-sitting read. As it was, I finished it in two.This is book one and, while it’s not precisely a cliffhanger, there are unanswered questions. Usually, that bugs me. In this case, I simply can’t wait for the next book!Unrelenting, compelling, and a thriller that deserves the title! Book 2 now, please!

The Silent Corner is by far Dean Koontz best offering in many years. He’s not depending on strange occult or phantasmagoric story lines to keep the action moving. Instead he’s crafted Jane Hawk, an FBI operative, who is forced to go rogue when she stumbles upon a plot conjured by a mad scientist. It seems he’s created a method of mind control reminiscent of Manchurian Candidate wickedness.Jane, with her husband dead at the hands of this evil faction and her son in hiding, must singlehandedly keep one step ahead of her pursuers and the FBI who are tracking down one of their own who’s stepped over the line. She is being chased by the enigmatic “They”. The people who have done all of the bad stuff since the start of time. “They” who live in the closet or the basement. “They” who are willing to go to great lengths of rid the world of anything that is not within the bounds of their conspiracy.Jane befriends some unseemly characters who help her in the flight across country using her skills as a well-trained FBI agent. She’s forced to stay mostly off the grid using burner phones, a variety of cash bought vehicles, and library internet. No matter how far or fast she runs her pursuers are only a half-step behind. This is a heart pounding chase with good being pursued by evil which is Koontz trademark metaphor and what he does best.At its heart this is a thriller with a lot of cutting edge technology tossed in to keep this new and smart heroine on her game. Koontz is a master story-teller and I am left wanting more. Quickly, Dean, quickly.

Different than other Dean Koontz novels but with a familiar feel. This novel is a bit darker--perhaps because the subject matter is more real. The new character grew on me in a good way. Jane isn't perfect but she has lots of heart (dark and light). I'm glad he included the hero extras that come along in the nick of time. I would have given Silent Corner a 5-star except that I was left feeling unsettled at the end. As always the writing was superb--I learned a couple of new words. I'll read the sequel with some trepidation. If the next story doesn't include a smidgeon more hope, I may have to skip the third in the series. I read this genre because I can look at good and evil and maintain some detachment. It scares me when it gets too real. This novel is worth reading, but set your expectations for something different from a Dean Koontz story. Finally, best line in the book: a reporter asks Jane where she stands politically. Her answer, "Disgusted."

I'm not out to give this a negative review, but I did want to review it for the potential benefit of fellow readers.I used to be a die-hard Koontz fan. By sneaking my mom's books, I was reading him before I was an 'appropriate age,' but I devoured them. They were wonderful and scary. I was always excited to get new releases the day they were released. That changed a decade or so ago, and I stopped reading his books, for the most part. Not important to go into why I stopped, but I wanted to address why I decided to buy this book.In looking at the reviews, I saw multiple people saying this book was 'classic Koontz,' 'the old Koontz,' 'the Koontz I used to know,' etc. I couldn't resist. I bought it. I want to warn people looking for 'classic Koontz' to use caution. Maybe we have a different idea of what Koontz books used to be like, why we read them, or why we stopped (if we did), but to me, this book was nothing like what I was looking for, as a former Koontz fan.I have read a significant amount of the book, and if it was a standalone, I'd force myself to finish it, but there are at least two more that I'm not going to read, so I'm just going to set this book aside. All this conspiracy-focused book/series has done for me is made me wonder how Christopher Snow is doing in Moonlight Bay, as we were left hanging two books into a trilogy years ago...

I read this one to fast!! I couldn't seem to put it down or find a good "stopping place", now I have to wait until January to get the second part of the story.I'd forgotten how much I really, really like Dean Koontz tales!! If you like Koontz, this one will not disappoint!!

For context, I have read several books by Mr. Koontz and enjoyed them all without exception. This one, however, lost me from the start. The reason? I felt like the author was less interested in telling a suspenseful story and more interested in showing off his expansive and quite colorful vocabulary. Rather than keep the story flowing and the pacing tight, the author assaults the ready with convoluted, paragraph- long sentences that, after only a few chapters, had me rolling my eyes. Want an example? Here is but one of many that needlessly ground the action to a screeching halt: "In the early gleaming of the shrouded afternoon, a sudden brightness flashed apocalyptic, flaring across the park as if to incinerate all it touched and bespeak a world of ashes soon to come, so that all the shadows either leaped back into the things that cast them or quaked across the lawns and walks like spirits dispossessed and seeking new anchorage." Huh? This got old real fast, and caused me to give up 20% in. Sorry, just calling it like I see it.

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Ebook Free Letters to a Young Poet (A Penguin Classics Hardcover), by Rainer Maria Rilke

Ebook Free Letters to a Young Poet (A Penguin Classics Hardcover), by Rainer Maria Rilke

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Letters to a Young Poet (A Penguin Classics Hardcover), by Rainer Maria Rilke

Ebook Free Letters to a Young Poet (A Penguin Classics Hardcover), by Rainer Maria Rilke

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Review

“For this reason, my dear Sir, the only advice I have is this: to go into yourself and to examine the depths from which your life springs; at its source you will find the answer to the question of whether you have to write. Accept this answer as it is,without seeking to interpret it. Perhaps it will turn out that you are called to be an artist. Then assume this fate and bear it, its burden and its greatness, without ever asking after the rewards that may come from outside. For he who creates must be a world of his own and find everything within himself and in the natural world that he has elected to follow. [. . .] Whatever happens, your life will find its own paths from that point on, and that they may be good, productive and far-reaching is something I wish for you more than I can say.” —Rainer Maria Rilke “I cannot think of a better book to put into the hands of any young would-be poet, as an inspirational guide to poetry and to surviving as a poet in a hostile world.” —Harry Fainlight, The Times (London) “I read Rilke’s Letters to a Young Poet every day.” —Lady Gaga

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About the Author

Rainer Maria Rilke (1875–1926) studied literature, art history, and philosophy in both Munich and Prague and is often considered one of the German language's greatest twentieth-century poets. His two most famous verse sequences are the Sonnets to Orpheus and the Duino Elegies; his two most famous prose works are Letters to a Young Poet and the semiautobiographical The Notebooks of Malte Laurids Brigge.Charlie Louth is a fellow at Queen's College, Oxford, where he lectures in German. He is the author of Hölderlin and the Dynamics of Translation.Lewis Hyde is the author of the hundred-million-copy bestseller The Gift. A MacArthur fellow and former director of undergraduate creative writing at Harvard University, Hyde is a fellow at Harvard's Berkman Center for Internet and Society. He lives in Cambridge, Massachusetts, and Gambier, Ohio.

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Product details

Series: A Penguin Classics Hardcover

Hardcover: 144 pages

Publisher: Penguin Classics; Reprint edition (March 26, 2013)

Language: English

ISBN-10: 0143107143

ISBN-13: 978-0143107149

Product Dimensions:

5.1 x 0.6 x 7.6 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

409 customer reviews

Amazon Best Sellers Rank:

#42,646 in Books (See Top 100 in Books)

Would give this a "0" stars if possible. This vendor is NOT selling the publication of Rilke's book, but has gotten the text and laid it out (probably with MS Word, horrible for layout) and done a cheap printing of it. Am I going to return it? Probably not, only because it's more effort to pack it, take it to the P.O. and mail. But I'm very angry about this book, I do publication layout professionally, and am an editor, so the extra spaces between words, the dropped punctuation, and visually awful layout is an abomination to Rilke's work. I know how they did it: they stripped the text out of an e-book, put it into Word and left-aligned, never proofed it, and sent it to China to be printed. Monstrous. Never buy from this outfit.

Whatever kind of writer or creative artist you are, Rilke's Letters to a Young Poet is a voice worth listening to. The letters were written in the early 1900s when Rilke was about 30 years old. He wrote ten letters to a young poet named Franz Kappus, offering not only advice but a philosophy on how to cultivate the creative spirit. As a fiction author with three novels out, I often get discouraged. We writers know that art and struggle go hand and hand. I’ve read all the pep blogs about following your passion and keeping the faith, recognizing the common Van Gogh blues, blah, blah, blah. Rilke’s book is such a refreshing look at why a person writes at all. He addresses doubt, loneliness vs solitude, love, and patience. This is probably one of the most impressive of books I’ve read on this subject. The thoughts in this little 100-page book is a true source and one to keep on the night stand. I love to open a page at random and see what Rilke has to say to me for the day. Page 61 told me this morning that “We must embrace struggle. Every living thing conforms to it. Everything in nature grows and struggles in its own way, establishing its own identity, insisting on it at all cost, against all resistance.” This book is for any artist who wants inspiration on how to live as an artist.

Louth's translation of Rilke's Letters to a Young Poet is a mediocre translation, does not match that of M.D. Herter Norton's (Letters to a Young Poet), whose quintessential translation must be the standard for all others of Rilke's work. You cannot see it the following pages in the Look Inside feature, but the following famous passage in Letter 8 is an excellent example. "Mr. Kappus," the young poet, might as well be us, and the passage can be read without the words "dear Mr. Kappus" and stands alone -- at least in the M.D. Herter Norton translation.M.D. Herter Norton's translation (Letters to a Young Poet), Letter 8, reads: "How should we be able to forget those ancient myths that are the beginning of all peoples? The myths about dragons that, at the last moment, turn into princesses. Perhaps all the dragons of our lives are princesses, who are only waiting to see us, once beautiful and brave. Perhaps everything terrible is, in its deepest being, something helpless that wants help from us. So, you must not be frightened, dear Mr. Kappus, if a sadness rises up before you, larger than any you have ever seen. If a restiveness like light and cloud-shadows, passes over your hands and over all you do. You must think that something is happening to you. That life has not forgotten you. That it holds you in its hand. It will not let you fall. Why do you want to shut out of your life any agitation, any pain, any melancholy, since you do really do not know what these states are working upon you? ..."Compare this to Charlie Louth's translation of this same passage in Letter 8 (Letters to a Young Poet):"How can we forget those ancient myths found at the beginnings of all peoples? The myths about the dragons who at the last moment turn into princesses? Perhaps all the dragons of our lives are princesses, only waiting for the day when they will see us handsome and brave? Perhaps everything terrifying is deep down a helpless thing that needs our help. So, dear Mr. Kappus, you shouldn't be dismayed if a sadness rises up in front of you, greater than any you have ever seen before; or if a disquiet plays over your hands and over all your doings like light and cloud-shadow. You must think that something is happening with you; that life has not forgotten you; that it holds you in its hand; it will not let you fall. Why should you want to exclude from your life all unsettling, all pain, all depression of spirit, when you don't know what work it is these states are performing within you? ... "Note that word order in changed in by Louth to give a different meaning, and this is often the case.Also, compare to Stephen Mitchell's translation of the passage in Letter 8 (Letters to a Young Poet (Modern Library) and (Letters to a Young Poet):"How could we forget those ancient myths that stand the beginning of all the races, the myths about dragons that are at the last moment transformed into princesses? Perhaps all the dragons of our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love. So you mustn't be frightened, dear Mr. Kappus, if a sadness rises up in front of you, larger than any you have ever seen; if an anxiety, like light and cloud-shadows, moves over your hands and over everything you do. You must realize that something is happening to you, that life has not forgotten you, that it holds you in its hand and will not let you fall. Why to you want to shut out of your life any uneasiness, any misery, any depression. since after all you don't know what work these conditions are doing inside you?...."Really, "that wants our love"? Our LOVE? No reason for this translator's license, none at all. Mitchell's translation likewise strips the Letters of poetry, and, of note, his introduction to the Letters is somewhat bizarre.If one goes further back in this letter, to Rilke's discussion of solitude, the demarcation between the beautiful and the mediocre translation is equally clear. I find M.D. Herter Norton's translation by far the most beautiful, poetic and meaningful, although reading other translations can add to the reader's understanding, or else, show the reader which translation speaks to him.On the other hand, here is an opportunity to compare, free of charge, three translations. I have chosen to confine myself to the translation by M.D. Herter Norton's of Rilke's Letters to a Young Poet, since I don't want to interrupt the flow of reading as I study these great letters, and feel it is best to choose one. It is a shame the M.D. Herter Norton translation is not currently in print in hardcover. Still, there are used copies to be found and I'd rather buy several paperback copies of Norton's than have a nice looking hardcover of a mediocre translation.

I loved it! It reminded of the literature I had to read many years ago, when I was in college. Notice I wrote the verb "had". I am feeling a little guilty of not appreciating the works I had to read, then, and puzzled, by how I admire them now. The content of these letters are timeless. "It is perhaps no use now to reply to your actual words; for what can I say about your disposition to doubt or about your inability to bring your outer and inner life into harmony, or about anything else that oppresses you-: it is always what I have said before; always the wish that you might be able to find patience enough in yourself to endure, and a single-heartedness enough to believe; that you might win increasing trust in what is difficult, and in your solitude among other people. And for the rest, let life happen to you. Believe me:life is right, at all events".I think it reads like a prayer. I have no knowledge of the German Language, but if this translation conjures this kind of emotion, imagine the impact it should have on the reader that reads the original.Thank you!

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Download Build a Website (Rookie Get Ready to Code), by Marcie Flinchum Atkins

Download Build a Website (Rookie Get Ready to Code), by Marcie Flinchum Atkins

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Build a Website (Rookie Get Ready to Code), by Marcie Flinchum Atkins

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Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: 660L (What's this?)

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Series: Rookie Get Ready to Code

Library Binding: 32 pages

Publisher: Childrens Pr (February 1, 2019)

Language: English

ISBN-10: 0531132269

ISBN-13: 978-0531132265

Product Dimensions:

6 x 0.3 x 7.1 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#937,475 in Books (See Top 100 in Books)

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Free Ebook Tango And The Political Economy Of Passion (Institutional Structures of Feeling)

Free Ebook Tango And The Political Economy Of Passion (Institutional Structures of Feeling)

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Tango And The Political Economy Of Passion (Institutional Structures of Feeling)

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From the Back Cover

This book explores the politics of tango, tracing tango's travels from the brothels of Buenos Aires to the cabarets of Paris and the shako dansu clubs of Tokyo.

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About the Author

Marta E. Savigliano is assistant professor of dance history and theory at the University of California at Riverside.

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Product details

Series: Institutional Structures of Feeling

Paperback: 312 pages

Publisher: Westview Press (January 19, 1995)

Language: English

ISBN-10: 0813316383

ISBN-13: 978-0813316383

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#696,885 in Books (See Top 100 in Books)

Extremely helpful as part of my research for my graduate thesis.

I'm happy with both books. thank you

In response to the reviewer below - why a non-academic would bother to try and read a book containing the phrase "political economy of passion" in its title is beyond me. What did s/he think it would be like?This is one of those books that is absolutely incredible for those with the formation to read it, and probably completely meaningless to those without: those who don't have a graduate education ought to be scared off by the title, as intended. Don't blame a book because you don''t happen to fall within its target audience: simply look for something that's more within your abilities.

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Tango And The Political Economy Of Passion (Institutional Structures of Feeling) PDF

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