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Kamis, 18 Maret 2010

Ebook Download Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden

Ebook Download Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden

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Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden

Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden


Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden


Ebook Download Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden

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Baltimore Volume 1: The Plague Ships, by Mike Mignola Christopher Golden

About the Author

Mike Mignola's fascination with ghosts and monsters began at an early age; reading Dracula at age twelve introduced him to Victorian literature and folklore, from which he has never recovered. Starting in 1982 as a bad inker for Marvel Comics, he swiftly evolved into a not-so-bad artist. By the late 1980s, he had begun to develop his own unique graphic style, with mainstream projects like Cosmic Odyssey and Batman: Gotham by Gaslight. In 1994, he published the first Hellboy series through Dark Horse. There are thirteen Hellboy graphic novels (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien, and Sir Edward Grey: Witchfinder), prose books, animated films, and two live-action films starring Ron Perlman. Along the way he worked on Francis Ford Coppola's film Bram Stoker's Dracula (1992), was a production designer for Disney's Atlantis: The Lost Empire (2001), and was the visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004), and Hellboy II: The Golden Army (2008). Mike's books have earned numerous awards and are published in a great many countries. Mike lives in Southern California with his wife, daughter, and cat.Christopher Golden is the New York Times bestselling author of such novels as Snowblind, Tin Men, The Myth Hunters, Wildwood Road, The Boys Are Back in Town, The Ferryman, Strangewood, and Of Saints and Shadows. He has also written books for teens and young adults, including Poison Ink, Soulless, and the thriller series Body of Evidence, which was honored by the New York Public Library and chosen as one of YALSA's Best Books for Young Readers. Golden cowrote the illustrated novel Baltimore, or, The Steadfast Tin Soldier and the Vampire with Mike Mignola, which became the launching pad for the cult favorite comics series Baltimore. As an editor, he has worked on the short story anthologies Seize the Night, The New Dead, and The Monster's Corner, among others, and has also written and cowritten comic books, video games, screenplays, a BBC radio play, the online animated series Ghosts of Albion (with Amber Benson), and a network television pilot. Golden was born and raised in Massachusetts, where he still lives with his family. His original novels have been published in more than fourteen languages in countries around the world. Please visit him at christophergolden.com.Ben Stenbeck is an illustrator known for Baltimore, B.P.R.D., Living with the Dead, Hellboy, Concrete, and many other comic book titles. You can learn more about Stenbeck and his work at benstenbeck.com.

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Product details

Series: Baltimore (Book 1)

Hardcover: 144 pages

Publisher: Dark Horse Books; 1st edition (June 7, 2011)

Language: English

ISBN-10: 1595826734

ISBN-13: 978-1595826732

Product Dimensions:

6.9 x 0.6 x 10.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

49 customer reviews

Amazon Best Sellers Rank:

#831,145 in Books (See Top 100 in Books)

In Lord Baltimore's world the First World War ended when a plague erupted unleashing zombies, vampires and other forgotten horrors into the ravished nations of Europe. Now with harpoons and rifles, knives and pistols, axes and sabres he destroys them one by one always hunting for the Vampire who killed his family and began the war between them and humanity.I missed the prequel book Baltimore or the Steadfast Tin Soldier but writers Mike Mignola and Christopher Golden quickly bring us up to speed without skimping on the moody atmosphere or the action. I was briefly disappointed that Mignola was not doing the art but Ben Stenbeck does an excellent job creating Baltimore's world and invoking Mignola's style without imitating it.And what a world. At first it seems to be WWI Europe but soon we see some signs things are a bit different. Not only are there zombies and vampires, there are steampunk submarines, robotic diving suits and enormous flying jellyfish.It's obvious this is going to be a long-running series. The first volume barely gets Baltimore through one sea voyage. My one complaint is it ended too soon and left me hungry for more.

This is the series that I wanted lobster claw Johnson to be, unfortunately he had no backstory, emotion, and was kind of cheesy at times. This book grabs you right at the start and does not let go. I finished this and had to go buy the Ebooks that night, I couldn't wait. I am big Hellboy fan and I think this is shaping up to be better.

While it is strongly recommended that you read the "Baltimore" book (Expertly written by Mignola and Golden as well as illustrated by the former) it is not necessarily a pre-requisite.The comic offers the proper amount of introduction to Henry Baltimore and his motivations for pursuing the Dread Vampire Lord Haigus throughout the first six issues of this series. That being said,Mike Mignola and Christopher Golden, with the help of Ben Stenbeck, add to the mythos of their stalwart vampire hunter in this handsome volume. While chasing vampires across a war-torn and plague riddled Europe, Lord Baltimore crosses paths with a young gypsy woman who seeks to escape her life of drudgery and embarks on a particularly dangerous leg of Baltimore's journey to find Haigus. They'll run afoul of storms, giant jellyfish, and fungus zombies who wish them ill. Interspersed with this is the beginnings of Lord Baltimore the hunter and the black deeds he has witnessed and committed.For those looking for a fantastic fusion of horror and break-neck adventure, look no further than Baltimore: the Plague Ships!

I have to confess that I absolutely love everything that Mike Mignola puts out. I own every hellboy and bprd series and am now starting on his other works. So when I saw this I had to read it too and it didn't disappoint. Though I haven't read the novel it is based on, its in my cart now for purchase. But even without reading it, these graphic novels are easy to understand and follow. This first set is a great start to this terrific series and leaves open plots to make way for the next collection. If you enjoy Mike and/or vampires you should definitely pick this up. It follows all general vampire rules and even adds more to the lore. Just go read it!

Mike Mignola hits another home run with Baltimore, a story about Lord Baltimore who makes an enemy out of the vampires when he returns from the war. Now, with his family gone, he dedicates his life, and his badass Harpoon, to hunting down every last one of them...and one in particular. Pure Mignola like nobody else.Great action, great story, great dialogue... wonderful aesthetic to the entire book, dark, gloomy, and dangerous the entire time. If you thought Hellboy was a badass, you haven't been introduced to Lord Baltimore. He fights Vampires, Zombies, Nazi Zombies, Giant Floating Jellyfish... you name it. This book is insane and I absolutely love it.You don't need to know anything about the Mignola-Verse (Hellboy, Witchfinder, BPRD, Lobster Johnson, Abe Sapien) to enjoy this book. Just pick it up and have fun!

Not a whole lot to say - I loved the story, and loved the art! This is one of those rare books that I'd really enjoy seeing as a movie, too; not to replace the book, but just to see more of this great world that's been created. And it is, indeed, an entire world that you feel you've been plunged into. Not a nice one, to be sure, but a VERY entertaining one. Highly recommended - can't wait to read more of Lord Baltimore's adventures.

If you love horror comics this is done so well

The story is kind of formulaic, but the world it's set in is fascinating. Not only is the art totally retroVictorian, but the old fashioned look of that World really enhances the mood. The characters are a bit 2 dimensional. Wish something would happen soon

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Senin, 15 Maret 2010

Get Free Ebook Monument Man: The Life and Art of Daniel Chester French, by Harold Holzer

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Monument Man: The Life and Art of Daniel Chester French, by Harold Holzer

Monument Man: The Life and Art of Daniel Chester French, by Harold Holzer


Monument Man: The Life and Art of Daniel Chester French, by Harold Holzer


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Monument Man: The Life and Art of Daniel Chester French, by Harold Holzer

Review

"This beautifully written, impeccably researched biography does much to resuscitate French's substantial contributions to American art." - Kirkus Reviews"This book will surely rank as the authoritative life od a man whose creations in stone and bronze have become inseparable parts of our historical emeory," - Ron Chernow

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About the Author

Harold Holzer, winner of the 2015 Gilder Lehrman Lincoln Prize, is a Lincoln scholar and the author of numerous books on Civil War–era art and history. He currently serves as the director of the Roosevelt House Public Policy Institute at Hunter College, City University of New York. In 2008 he was awarded the National Humanities Medal.

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Product details

Hardcover: 368 pages

Publisher: Princeton Architectural Press (March 5, 2019)

Language: English

ISBN-10: 1616897538

ISBN-13: 978-1616897536

Product Dimensions:

6.2 x 1.2 x 9.2 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#2,498 in Books (See Top 100 in Books)

Unreadable. Without question, the tiniest print in any book I have purchased from Amazon. Complete disappointment. Will return immediately.

Daniel Chester French is the greatest sculptor America has ever produced. There; I said it. I used to qualify the statement with “arguably” to acknowledge Augustus Saint Gaudens, given the sobriquet by many others, (and the only other an argument may be made for; no one else compares) but I’ve given up tempering my opinion. I’ve known it for years and this book, Monument Man by Harold Holzer, makes the case quite well. From roughly the 1870’s to the 1920s American Architecture was dominated by the Beaux-Arts style, championed by Daniel Burnham in Chicago and Charles McKim ,William Mead and Stanford White in New York. The style emphasized classical symmetry and sculptural decoration. It reached its apotheosis at the Columbian Exposition of 1893, which inspired the “City Beautiful’ movement. These trends, along with the civic need to define and commemorate the American Civil War, led to a golden age of American Sculpture, when practitioners such as Henry Kirke Brown, John Quincy Adams Ward, Augustus St. Gaudens, Daniel Chester French, Frederick MacMonnies, Charles Niehaus, Augustus Lukeman, John Massey Rhind, Karl Bitter and others created beautiful statues and memorials in cities throughout the US. Holzer is a Lincoln expert (French sculpted the seated Lincoln in the Lincoln Memorial; everyone knows that) rather than an art historian, so some context is lost in the bio. For instance, while the chapter on the world’s Columbian Exposition rightly places emphasis on French’s work (especially the “Statue of Republic”), Holzer never even mentions the other huge sculptural “hit” at the fair- “The Barge of State” by Frederick MacMonnies- known the world over as “The MacMonnies Fountain” that made the younger (by 13 years) man’s reputation. MacMonnies was a superb sculptor in his time, yet his some of his work has not aged so well, appearing dated and less harmonious and refined than the timeless classicism of French’s work. I think a chance to discuss French’s contemporaries (and rivals for his commissions) was missed. Still, the book is dense and well researched, will little room for extras. There’s no colophon in the book, but the font appears to be 10 pt. (most books are set about 12), so its 367 pages is more like 550. Holzer is less interested with esthetic concerns than the iconic status of many of French’s works, most especially the Lincoln Memorial, (he opens and closes the book with it) and its sociological importance in American history. (Let’s also note that the Architect of the memorial was Henry Bacon, and though Mr. French did indeed create (conceive, design and model) the sculpture, it was enlarged, carved and assembled by The Piccirilli Brothers Marble Carving Studio, more great talents lost to history.) The book was commissioned by Chesterwood/The National Trust for Historic Preservation, a far worthier project than their ill-advised strategy some years ago to try to re-brand the sculptor as “Dan French” because his name and lack of any scandal around him (“he didn’t have any affairs”) made him appear stodgy and colorless. It’s true that both the artist’s wife and his daughter referred to him as “Dan French” in their respective biographies, Memories of a Sculptor’s Wife, and Journey Into Fame but the fact that the former was written by “Mrs. Daniel Chester French” swings the pendulum back the other way, I think. For such a distinguished gentleman from a more formal age, “Daniel Chester French” is just fine. Bemoaning his lack of fame as compared to his fellow Stockbridge artist Norman Rockwell, Chesterwood seemed to view the Norman Rockwell Museum (five minutes away) as a rival for attention. As I first visited Chesterwood as a child in the 70’s, (one of many priceless gifts my parents gave me) when Rockwell was still alive and his museum was the “old corner house” on main street, Stockbridge, I would think the new, multi-million dollar, Lucas/Spielberg financed Museum would have increased traffic to Chesterwood considerably. Certainly if you go to Stockbridge in the summer, visiting Chesterwood is a must. It is indeed unfortunate that most adults today do not know who Daniel Chester French is, though this has little to do with Mr. French’s impact and much to do with the lack of cultural awareness in our citizenry. (Most people have no idea who Gilbert Stuart is, either, despite the fact that they handle reproductions of his work multiple times daily every day of their lives.) Possibly this book will rectify that. This is a superb biography that focuses on French’s works, a list of which is included at the back, covering 83 pieces in 18 states, the District of Columbia, and France. It only includes “public works” (i.e., those in Parks, gardens, etc.) and not works in museum collections, however. This is a shame, as while two of his greatest funerary monuments, Mourning Victory (The Melvin Memorial) and Death and the Sculptor (The Milmore Memorial) are in cemeteries in Massachusetts, marble versions can also be viewed in the American Wing Sculpture Garden of The Metropolitan Museum of Art in New York. (They also have the breathtakingly beautiful Memory.) Of course that fact is noted in the body of the book, which is illustrated throughout with photos of the pieces where they’re discussed. In the New York City area alone, his group of Four Continents (Asia, Africa, Europe and America) decorates the New York Custom House at the south tip of Manhattan. The Richard Morris Hunt Memorial is on the East side of Central Park in New York, 70th Street and Fifth Avenue. Mr. French’s busts of Edgar Allan Poe and Ralph Waldo Emerson are in the astoundingly forgotten Hall of Fame for Great Americans at Bronx Community College. Alma Mater is at Columbia University. His allegorical figures Brooklyn and Manhattan are at the Brooklyn Museum on Eastern Parkway. Smaller models of The Minuteman and the Spirit of Life (The Trask Memorial) are in the Newark museum in Newark, New Jersey. What a list. Inspirational. Classic. Beautiful. Timeless. It’s the work of Daniel Chester French, America’s greatest sculptor. You need to buy this book.

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